gwyneth paltrow’s appearance at the recent awards moment crystallized a broader red-carpet shift: she wore Belperron, a 1930s pair of black enamel and turquoise earrings that belong to a larger set housed in the Belperron salon on 57th and Fifth.
What Does Gwyneth Paltrow’s Belperron Choice Signal?
The stylist Elizabeth Saltzman confirmed the earrings as Belperron, 1930s. That single attribution matters: choosing Belperron signals deliberate jewelry ambition and a willingness to lean into historically layered design. Belperron—one of the relatively few women designers of the early twentieth century referenced in the reporting—has a reputation for sculptural work that pairs unexpected materials with important stones. The black enamel-and-turquoise pair stands out against the diamond-heavy vocabulary of many red-carpet looks and underlines the piece-level decision-making now visible onstage.
Small but telling stage behavior also punctuated the moment: the earrings are mainly clips, and the set was briefly altered onstage before both earrings were back by the end of the night. That interaction became a shorthand for considered risk—an emblem of the “power of the pivot” reflected in other choices across the room.
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What If the Shoulder-Duster and Turquoise Return?
The broader context at the ceremony reinforced the pivot away from diamond-only signaling. The use of turquoise ties into a historical rhythm—the Art Deco period’s Egyptian Revival after the discovery of King Tut’s tomb in 1922, when nontraditional stones joined diamonds and platinum on fine jewelry. Contemporary red-carpet evidence shows this influence resurfacing.
- Paltrow: Belperron black enamel and turquoise earrings (part of a larger set in the Belperron salon on 57th and Fifth)
- Teyana Taylor: a standout Schlumberger necklace
- Demi Moore: Harry Winston necklace
- Viola Davis: Pasquale Bruni necklace
- Kate Hudson: Emily Wheeler necklace
- Keri Russell: Buccellati long earrings
- Calista Flockhart: Leviev long earrings
- Chase Infiniti: De Beers long earrings
- Rose Byrne: Messika long earrings
- Michele Monaghan: Sabyasachi long earrings
- Connor Storrie: diamond necklace worn without a shirt, indicating a move toward bolder men’s jewelry
These examples point to two converging trends visible in a single night: a renewed appetite for long, shoulder-dusting earrings and a willingness to deploy colored stones like turquoise outside seasonally coded contexts. The evening also underscored gendered evolution in ornament, as men experimented with necklaces and stone-on-skin presentation.
What Should Readers Expect and What to Do?
For consumers and observers, the practical takeaway is straightforward: expect to see curated, historically literate choices that favor statement pieces over predictable diamond sets. Carry-on or travel-friendly long earrings—an item the commentator keeps in a carry-on as a quick black-tie solution—are positioned as versatile investments. For designers and retailers, the moment spotlights the commercial case for reintroducing archival names and reviving nontraditional stones for year-round wear.
Watch for how jewelers and stylists lean into clips, unexpected materials and longer silhouettes; note too the cross-gender experimentation that surfaced on the red carpet. The evening was less about a single item than about a posture toward jewelry ambition—an approach crystallized by the Belperron choice and how it was worn. That posture is the lesson gwyneth paltrow left on the red carpet.
