Beverly Afaglo Dies at 40, Eugene Baah Shares Tribute
beverly afaglo has died at 40, and her husband, Eugene Baah, announced the news on social media on May 24. He described the Ghanaian actress and media personality as his “legend” in a tribute that placed the loss at the center of both a family and entertainment story.
Baah, known as Choirmaster of Praye fame, wrote, “My heart is shattered beyond words over the death of my beloved wife Beverly Afaglo” and added, “Sleep well my babe.” He also said, “I promise to take care and continue everything we planned and started.”
Eugene Baah’s May 24 tribute
May 24 is the date that shifted the story from private grief to public news. Baah’s message gave the clearest account of the loss and made the announcement directly, rather than through a formal statement or public appearance.
He wrote, “It would have been just like four more days to your birthday but I guess the Lord wanted to celebrate with you so He called you.” Afaglo was born on May 28, 1983, which puts that line at the center of the tribute and explains why the date landed so hard in his message.
Film credits from 2006 to 2014
2006 was the start of the screen trail that marked Afaglo’s career in the public record, beginning with Return of Beyonce. Her later credits stretched through Crime to Christ in 2007, Girls Connection in 2008, and a run in 2010 that included Never Again, Turn Me On, and The Game.
2011 and 2012 added Single Six, Equatorial Escape, and Secret Burden, while the 2014 list included The King’s Bride, Total Exchange, PlayBoy, Big Girls Club, CEO, and About to Wed. Those titles show a working filmography that kept her name circulating across multiple years, which helps explain why her death will be felt beyond her immediate circle.
Praye and the public loss
2014 may be the last year named in the credits list, but the stronger thread in this story is the way Baah tied personal loss to a public figure with an audience. He wrote, “You were my strength, my happiness, and the reason my life felt complete,” and later added, “Until my last breath, you will remain in my heart forever.”
That leaves the Ghanaian entertainment community with a straightforward reality: a familiar on-screen presence is gone, and the person closest to her has already given the first account of the loss. For readers who knew Afaglo through her films, the next step is not a new rollout or release schedule; it is recognizing that the credits now sit beside a death notice and a husband’s farewell.
