Roberto Brasero drives What To Watch Tonight at 21:55 on Antena 3

What To Watch Tonight on Spanish TV: Roberto Brasero at 21:55, La Voz Kids at 22:10, El secreto de Adaline at 22:05, and more Saturday options.

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Roberto Brasero drives What To Watch Tonight at 21:55 on Antena 3

What To Watch Tonight on Spanish TV starts with Roberto Brasero at 21:55, when Antena 3 places its weather segment just before La Voz Kids at 22:10. That sequence turns Saturday, 11 July 2026 into a straight choice between news, weather, music, films, and talk across the major channels.

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La 1 and La 2

La 1 lines up Telediario 2, Teledeporte, Informe semanal, El secreto de Adaline at 22:05, and a classic film at 23:50. La 2 begins with ¡Cómo nos reímos! at 20:35 and moves to Malas lenguas Noche at 21:40, giving viewers a lighter early slot before the late evening tightens around film and discussion.

Antena 3 and Cuatro

Antena 3 starts with A3 Noticias Fin de Semana at 21:00, then Deportes 2 at 21:45, Tu tiempo con Roberto Brasero at 21:55, and La Voz Kids at 22:10. Cuatro answers with Noticias Cuatro, El desmarque Cuatro, First Dates at 21:10, and Trece vidas at 22:45, so the 10 p.m. window splits sharply between a talent format and a film led by Viggo Mortensen and Colin Farrell.

Telecinco and laSexta

Telecinco puts its informativos at 21:00, El desmarque Telecinco at 21:30, the weather at 21:40, and Hay una cosa que te quiero decir at 22:00. laSexta opens earliest, with laSexta Noticias Fin de Semana at 20:00, laSexta Meteo at 20:50, laSexta Deportes at 21:00, Sábado Clave from 21:15, and laSexta Xplica later in the night.

The real pressure point is timing. At 22:05, 22:10, and 22:45, viewers have to choose between El secreto de Adaline on La 1, La Voz Kids on Antena 3, and Trece vidas on Cuatro; a little later, La 1 also closes with a classic film starring Clark Gable and Vivien Leigh at 23:50. That makes Saturday less a single prime-time offering than a cluster of competing options, and the practical move is simple: decide early, because the strongest choices start within minutes of one another.

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Arts writer and cultural critic covering theatre, fine art, and the independent music scene. Regular contributor to The Atlantic and Rolling Stone.