Christina Ricci Said Staying Naked Between Takes Changed the Set

Christina Ricci told Sydney Sweeney she stayed naked between takes until the crew stopped reacting to her body during Variety’s 2022 Actors on Actors.

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Christina Ricci Said Staying Naked Between Takes Changed the Set

Christina Ricci said she stayed naked between takes on a film set until the crew stopped reacting to her body. She described the tactic in 2022 during Variety’s “Actors on Actors” conversation with Sydney Sweeney, where the two also discussed how sex scenes are made now versus then.

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“Once, I had to do a movie where I was naked pretty much the entire time,” Ricci said. She added that “the thing that made me more uncomfortable was other people being uncomfortable with me being naked.” Sweeney laughed and called it a “power move.”

Christina Ricci and Sydney Sweeney

Ricci said the reaction around her, not the nudity itself, was the problem she was trying to solve. “So, what I did and you probably wouldn’t be allowed to do this now I just stayed naked,” she said, adding, “I would talk to crew members naked, because I wanted everybody around me to stop reacting to it.” She said it worked and that it was “one of the only times I ever really felt comfortable being naked on camera.”

The exchange pointed to a set culture that has shifted. Sweeney described intimacy coordinators as stunt coordinators for sex scenes, and the conversation made clear that Ricci’s approach belonged to an earlier era of filmmaking, before that kind of support was part of the standard workflow.

Black Snake Moan in 2006

The film Ricci was describing is widely identified as Black Snake Moan, the 2006 Craig Brewer movie in which she plays Rae in Black Snake Moan. Ricci also joked about throwing her “five-foot-one stature” around, which gave the anecdote a dry edge even as the point stayed serious: she was managing discomfort by refusing to let the set treat her body as something unusual.

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She also said she once got threatened with a lawsuit for pushing back on a scene, and that would not happen on a set today. That matters less as a nostalgia note than as a marker of how production norms now give performers more structure when nudity is involved, and how much of Ricci’s workaround depended on her own improvisation rather than any system built to protect her.

Ricci’s separate remarks about Jimmy Fallon show she has not been shy about naming bad industry behavior. Here, the sharper point is simpler: she turned her own discomfort into a practical tactic, and the fact that she had to do that says more about the set than about the scene.

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Arts writer and cultural critic covering theatre, fine art, and the independent music scene. Regular contributor to The Atlantic and Rolling Stone.