Demi Moore posted her Paris look on Instagram on July 22, pairing an ivory Magda Butrym ensemble with a dramatic hat while she moved through Paris Haute Couture Week with Tallulah Willis. The look landed as a tight fashion-business signal: one post, two showrooms, and a clear reminder that Moore is still working the front row with precision.
Magda Butrym on Instagram
The outfit came from Look 4 of Magda Butrym's spring/summer runway collection and used a lace-trimmed camisole top, a matching voluminous skirt, the cream Brigitte square bag, crochet mules, and a larger-than-life statement hat. Moore's hair was swept into an elegant updo, and she wore dainty pearl earrings, a combination that leaned bridal without turning soft; the natural, radiant makeup kept the image from reading as costume.
Moore wrote, "The next stop on our mother daughter Paris tour… a breathtaking afternoon with @schiaparelli," which is the kind of caption that turns a fashion visit into a public itinerary. She was not moving alone: Tallulah Willis, 32, joined her in Paris, making the trip part family outing and part showroom circuit.
Schiaparelli with Tallulah Willis
Demi Moore and Tallulah Willis visited the Schiaparelli showroom to look at Daniel Roseberry's new collection, adding a second fashion-house stop to the same Paris run. Tallulah wore an oversized cream top with elbow-length sleeves, a green skirt with a voluminous hem, black sunglasses, and a beige leather purse, a coordinated but distinct look that kept the focus on the pair rather than on one outfit alone.
Moore's Paris appearances did not stop there. She also attended the Balenciaga Haute Couture Fall/Winter 2026 show at the Cité Universitaire de Paris in an ensemble from Balenciaga's 2027 resort collection by Pierpaolo Piccioli, with a long-sleeve black jacket, a green-and-orange belted arm band, and a matching mermaid-silhouette skirt. The styling pattern is easy to read: she is using couture week to show range across houses, not just a single favored label. A separate salary jump in Landman points to how Moore's current profile stretches beyond fashion into the same kind of high-value visibility.
Critics Choice Awards 2025
At the Critics Choice Awards 2025, Moore wore a navy Schiaparelli gown from the brand's fall 2024 collection, with a sweetheart neckline, intricate black crystals, a draped skirt with vertical slits, sharp pointed accents on the bodice and hips, and a lace-up back closure. That earlier look, paired with July's Paris run, shows why Schiaparelli keeps returning in her wardrobe: the house gives her sculptural clothes that can read formal on a stage and editorial on a street.
The immediate takeaway is simple. Moore's July 22 post was not a one-off outfit share; it was the opening frame for a Paris schedule built around Schiaparelli and Balenciaga, with Tallulah Willis beside her and no need for a louder narrative than the clothes themselves. If Moore returns to Paris in this mode, the useful question is not whether she can carry the looks — she already did — but what event brought her there beyond the couture circuit.
