A Few Good Men cast is set at Lincoln Center Theater, with Bradley Whitford and Tom Blyth leading the first-ever Broadway revival. The production is limited to 13 weeks, so the company will have one tight window to turn the announcement into ticket sales at the Vivian Beaumont Theater.
Whitford and Blyth
Bradley Whitford plays Colonel Nathan R. Jessep, while Tom Blyth makes his Broadway debut as Lieutenant Daniel Kaffee. Krysta Rodriguez, an Outer Critics Circle Award winner, plays Lieutenant Commander Galloway, giving the production a three-name core that sells both familiarity and first-time curiosity. Tickets are on sale now.
October 8 to January 10
Previews begin October 8 and opening night is October 29 at the Vivian Beaumont Theater. The run continues through January 10, 2027, which turns the revival into a finite booking rather than an open-ended extension play; that kind of limit often pushes early interest toward earlier dates rather than waiting for word of mouth.
Michael Arden directs the production, with scenic design by Dane Laffrey, costume design by Alejo Vietti, sound design by Joshua D. Reid, lighting design by Japhy Weideman, hair and wig design by Cookie Jordan, movement direction by Ricky Ubeda, vocal coaching by Kate Wilson and original music by Gabriel Mann. Lincoln Center Theater is producing the revival in association with No Guarantees Productions, Lamar Richardson, Tom Kirdahy, Kevin Ryan and Mary Sullivan.
Military Personnel and understudies
The ensemble also includes Stephanie Berry, Billy Eugene Jones, Lavel Schley, Michael Braugher, Shunté Lofton and Miles Fowler, along with Nick Blaemire, Christopher Gurr, Collin Kelly-Sordelet, Michael Oberholtzer, Thom Sesma, Daniel Velez and John Zdrojeski. Brendan Evan Behm, Alex Ekker, Drew Elhamalawy, Quentin Nguyen-duy and Stephen Michael Spencer are billed as Marine/Military Personnel, while Peter Bradbury, Tim Creavin, Mahira Kakkar and Austin Phillips are understudies.
A Few Good Men centers on military lawyer Daniel Kaffee and the defense of two young Marines accused of murder, with the lead lawyer’s strategy upended by a character determined to prove the men’s innocence. That push-pull gives the revival a clean commercial hook: a recognized play, a Broadway debut for Blyth, and a short booking that leaves little room for hesitation from anyone planning to see it in the initial run.
