Meg Stalter turns the Emmys into a life-size Emmy Award

Meg Stalter arrived at the Monday night Emmys dressed like a life-size Emmy Award, marking her first awards-season turn as a nominee.

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Meg Stalter turns the Emmys into a life-size Emmy Award

Meg Stalter arrived at the Monday night Emmys spray-painted head-to-toe in gold, dressed like a life-size Emmy Award. Paul W. Downs joined her for the stunt, and the appearance landed during her first time attending the ceremony as a nominee.

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April to Monday night

In April, Stalter told Marie Claire, “Every red carpet appearance or anything that I get to do in front of people, I want to have fun and make the most of it because it’s my dream,” and added, “We worked really hard to get here, and now I want to enjoy it.” That mindset fits the outfit: golden wings, a raised sphere, and a look built to read instantly from across a red carpet.

Stalter earned her first career Emmy nomination for Outstanding Supporting Actress in a Comedy Series for playing Kayla Schaeffer in the fifth and final season of Hacks. She also made her Broadway debut this summer in Cole Escola’s Oh, Mary!, so the Emmys stop arrived in the middle of a busy stretch rather than as a stand-alone publicity turn.

Downs and Stalter

In May, Stalter and Paul W. Downs told ELLE they would not get to do press next year, and Stalter answered, “Unless we film a show now to come out next year.” That line now reads less like a throwaway and more like a working plan for keeping the pair visible as Hacks closes out its run.

In July, Downs texted her “Meg” after she missed his FaceTime call and then told her she had been nominated for an Emmy, which sent her into shock. He later recalled, “Once I convinced her that I wasn’t pranking her, she was shaking” and “She couldn’t believe it.”

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Recreating the orange looks

In August, Stalter and Downs discussed re-creating the matching orange looks they wore at the Critics Choice Awards, after Genevieve Aniello suggested the idea. Stalter replied, “We’re going to get it done.”

Monday night’s gold Emmy look keeps that pattern going: she is treating awards-season dressing as part performance, part inside joke, and part brand statement. Whether the stunt drew any reaction from the ceremony itself is the one unanswered piece, but the appearance already did the useful work of turning her first nominee walk into a memorable debut.

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Arts writer and cultural critic covering theatre, fine art, and the independent music scene. Regular contributor to The Atlantic and Rolling Stone.