Angine de Poitrine lifts Chest Pain in London with Klek and Khn

Angine de Poitrine’s London set built on chest pain-era momentum, with Klek, Khn, and crowd-surfers in a less boisterous room.

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Angine de Poitrine lifts Chest Pain in London with Klek and Khn

Angine de Poitrine turned chest pain into a tighter, stranger London set, with Klek’s long nose flailing between beats. The show came five months after their packed Electric Ballroom appearance, but the room moved differently this time.

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Electric Ballroom in London

Five months is enough time for a small act to stay small; it was not enough here. Since that earlier London show, Angine de Poitrine had racked up millions more streams, made their US talk-show debut on The Tonight Show with Jimmy Fallon, and sold out increasingly massive spaces across the globe.

That run matters because it changed the scale around the band without changing the core of the set. The later London performance still leaned on the same wiry, high-wire material, and the crowd heard expanded distorted declarations between songs rather than a wholesale rewrite of the act.

Gros Mené on the bill

Gros Mené opened the night with a mix of punk, psychedelic, blues, hardcore and alternative sensibilities, and the billing kept the show rooted in a rougher lane rather than a polished crossover package. Angor was also in the room with hypnotic math-rock, prog and ancient scales, while Yor Zarad was described as Angine de Poitrine’s French-Canadian answer to Focus.

The headliners were revealed with a pyramid-saluting stage backdrop, and that visual cue matched the band’s taste for spectacle without softening the music. Khn’s role on guitar and bass kept the set moving while Klek’s flailing nose between beats added a physical oddity that fit the act’s between-song gibberish.

Mata Zyklek crowd-surfers

The later crowd was less boisterous than the frenzied mob at the Ballroom, yet it still gave the band a more active audience than many groups get in London. Crowd-surfers started to move around Mata Zyklek during the performance, which is the clearest sign that the set crossed from curiosity into participation.

That is the real takeaway from this London stop: Angine de Poitrine did not need a radically new show to hold a bigger one. The act’s next step is already visible in the scale of the rooms and the reach of the streams, even if this particular night never became as wild as the earlier Electric Ballroom riot.

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Arts writer and cultural critic covering theatre, fine art, and the independent music scene. Regular contributor to The Atlantic and Rolling Stone.