Human Rights Watch Declines Aziz Ansari’s Riyadh Comedy Festival Donation

Aziz Ansari’s recent performance at the Riyadh Comedy Festival has sparked debate over his donation plans to human rights organizations. His commitment included a promise to contribute part of his performance fee to entities like Human Rights Watch (HRW) and Reporters Without Borders. However, HRW publicly declined to accept donations from Ansari and other comedians, citing their stance on maintaining independence from funding sources that could compromise their mission.

Human Rights Watch’s Stance

A representative from HRW stated that while they appreciate the intention behind the donations, the organization cannot accept funds from those performing at events in Saudi Arabia, given the kingdom’s human rights record. Joey Shea, a researcher for HRW, emphasized the importance of urging the release of detained activists rather than accepting donations.

Background on the Riyadh Comedy Festival

The Riyadh Comedy Festival took place from September 26 to October 9. It featured comedians who were offered large sums to perform, with payments reportedly ranging from six figures to as much as $1.6 million for a single show. Notable performers included Dave Chappelle, Bill Burr, and Louis C.K., while others like Shane Gillis chose to decline invitations.

• Performers who accepted payments:
  • Aziz Ansari
  • Dave Chappelle
  • Bill Burr
  • Louis C.K.
  • Pete Davidson
• Comedians who declined to perform:
  • Shane Gillis
  • Atsuko Okatsuka

Criticism and Support

The festival’s backdrop has led to mixed responses from the comedy community. Some comedians faced backlash for performing in a country notorious for human rights violations. Atsuko Okatsuka publicly rejected the opportunity, citing the origins of the funding and the oppressive context in which it was granted. Similarly, David Cross criticized those who participated, arguing that they undermine their own advocacy for free speech.

In contrast, performers like Bill Burr and Louis C.K. defended their engagements as opportunities to foster dialogue. Burr referred to his experience as one of the best, while C.K. viewed comedy as a potential entry point for conversations. However, critics pointed out that performers should acknowledge the oppressive nature of the regime they are working with.

Discussion on Representation

Aziz Ansari articulated that his participation was intended to promote dialogue, considering the potential impact of comedy in challenging oppressive narratives. He expressed the importance of engaging with complex situations rather than retreating from them.

As the discussion around the Riyadh Comedy Festival continues, the roles of artists in relation to human rights remain contentious. While some view participation as complicity, others see it as a necessary engagement with difficult issues.