Rosalía ignites a new era with “Berghain” — a multilingual, club-mythic opener to ‘LUX’

Rosalía has launched her next chapter with “Berghain,” a cinematic new single that fuses orchestral drama, club lore, and bold multilingual vocals. Arriving today as the first taste of her fourth studio album, LUX (due November 7, 2025), the track positions the Spanish star for a grand, art-pop return while nodding to the mystique of Berlin’s most storied nightclub. It’s a marquee moment: a high-concept lead single, a striking video, and heavyweight collaborators that signal scale and ambition from the outset.

“Berghain”: sound, story, and collaborators

“Berghain” is built as a darkly luminous suite—part opera, part baroque pop, part late-night reverie. Rosalía moves fluidly among Spanish, English, and German, threading intimate confessions with theatrical flourishes. A swelling string palette anchors the song, giving her vocal lines a knife-edge intensity before the arrangement opens into a feverish finale.

Two distinctive voices join her: Björk, whose spectral presence amplifies the piece’s art-music continuum, and Yves Tumor, who lends the closing section a volatile spark. The contrast is deliberate—Rosalía’s precision, Björk’s otherworldly timbre, and Yves Tumor’s provocation collide to sketch a nocturnal myth about desire, power, and transformation inside a temple of electronic music. The orchestral heft—performed by the London Symphony Orchestra and guided by composer-conductor Daníel Bjarnason—turns the club metaphor into something operatic, as if a techno sermon had been staged for a concert hall.

Inside the “Berghain” video: ritual, fashion, and a fairy-tale subversion

The official video, directed by longtime collaborator Nicolás Méndez (CANADA), reframes club folklore as modern fable. Instead of literal dance-floor shots, the imagery leans into ritual: candlelit processions, couture-sharp silhouettes, and surreal cutaways that twist familiar fairy-tale tropes into something wilder and more adult. The wardrobe doubles as narrative—black-on-black tailoring for control, reflective textures for rebirth—while camera moves linger on faces and hands, treating touch as choreography. It’s a world where the bouncer is a gatekeeper of self-reinvention, and every hallway feels like a trial to pass before the drop.

Why “Berghain” matters for LUX

With Motomami, Rosalía exploded boundaries through rhythm and fragmentation. “Berghain” suggests LUX will pursue a different scale: fewer jump cuts, more long takes; fewer percussive jolts, more symphonic ascents. If Motomami was kinetic collage, LUX looks set to be grand architecture—music that breathes in movements and dares to be maximal. Naming the single after the Berlin club is a statement in itself: this is not about chasing a weekend anthem but about transforming nightlife’s intensity into an art-house epic.

Key takeaways for the new era:

• Multilingual narrative: Spanish, English, and German lines interlace to mirror the song’s borderless setting.

• Prestige collaborators: Björk and Yves Tumor expand the sonic universe without overwhelming Rosalía’s center of gravity.

• Orchestral scale: A live symphonic backbone turns club mythology into widescreen drama.

• Visual continuity: The Méndez partnership reinforces a coherent aesthetic language—ritualistic, fashion-forward, and symbol-rich.

Release timing and what’s next for Rosalía and “Berghain”

LUX is slated for November 7, 2025, positioning “Berghain” as both mission statement and narrative prologue. In the coming days, expect:

• Lyric and translation deep dives: Fans are already parsing the trilingual text for character shifts and coded references to the club’s gatekeeping folklore.

• Performance experiments: A piece this theatrical is primed for staged TV moments or site-specific sets where strings and electronics can share the spotlight.

• Remix potential: The single’s structure—slow-building arches with a volatile coda—invites reworks aimed squarely at late-night floors.

“Rosalía Berghain”: the keyword that captures a crossover moment

Search interest around “rosalia berghain” underscores how cleverly the project bridges worlds: a pop luminary invoking an underground institution, a symphony speaking the language of subculture. By placing a club’s name on a single that sounds like a modern aria, Rosalía reframes nightlife not as escape but as rite—one that tests, reveals, and ultimately crowns its protagonist. If “Berghain” is the doorway, LUX looks ready to explore the cathedral beyond.