Kristen Stewart Criticizes Hollywood’s Regression for Women Post-MeToo Movement
Kristen Stewart, the acclaimed actress and director, voiced her frustration over the regression of female filmmakers in Hollywood following the initial momentum of the MeToo movement. Speaking at a women’s luncheon in Los Angeles, hosted by the organization behind the Oscars, Stewart expressed her anger at the current state of gender representation in the film industry.
Hollywood’s Shocking Statistics
During her compelling seven-minute address, Stewart highlighted alarming statistics regarding female directors. According to the annual report known as The Celluloid Ceiling, only 11 out of the top 100 grossing films in 2024 were directed by women, a decline from 16 in 2020. This regression points to a significant setback considering the MeToo movement, which sparked a hope for greater representation.
- In 2018, only 4 of the top 100 films were directed by women.
- By 2020, the number rose to 16, reflecting a surge of optimism post-MeToo.
- Current figures for 2025 are not available yet, raising concerns about the trend.
The Impact of MeToo Movement
Stewart’s speech emphasized that the MeToo movement, which began in 2017, facilitated a crucial discussion regarding power dynamics and representation of women in Hollywood. She shared her belief that there was a moment of hope when stories made by women seemed to gain traction. However, she now feels that the industry is returning to its old ways.
Voicing Discontent
In her passionate remarks, Stewart lamented the difficulties faced by female filmmakers. She stated, “The violence of silencing” is pervasive, and society often stifles the anger surrounding these issues. Referring to the industry’s approach to dark and taboo subjects, she noted that open discussions of women’s experiences can lead to rejection.
Stewart’s speech inspired a range of notable attendees, including Sarah Paulson, Julia Louis-Dreyfus, Tessa Thompson, and Kate Hudson, earning her multiple rounds of applause for her candid observations.
A Call for Action
Stewart urged her peers to reject being tokenized and to assert their narratives. “Let’s start printing our own currency,” she declared, reinforcing the necessity for systemic change in an industry that continues to prioritize male perspectives in filmmaking.
As the upcoming Oscars approach, with notable films directed by Chloe Zhao, Kathryn Bigelow, and Mona Fastvold, the dominance of male directors in the best director category remains a troubling trend. Stewart’s remarks serve as a critical reminder of the work still needed to achieve true gender equality in Hollywood.
