Jacob Elordi Wears Full Body Prosthetics 20 Times

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Jacob Elordi Wears Full Body Prosthetics 20 Times

Guillermo del Toro’s adaptation of “Frankenstein” is now available on Netflix. This version of the classic novel intertwines deep emotional themes with humanity, moving away from traditional monster representations. The film features Oscar Isaac as Victor Frankenstein, the obsessed scientist, and Jacob Elordi as the Creature.

Innovative Prosthetic Design by Mike Hill

Prosthetics artist Mike Hill played a significant role in bringing the Creature to life. He focused on a design that rejected conventional zombie tropes, aiming for a more grounded and realistic approach. “We wanted to stay away from classical zombies,” Hill shared.

The film showcases Victor Frankenstein’s experiments at the Royal College of Medicinal Tribunal. The goal was to depict the creation process authentically, avoiding overly dramatic elements. Hill emphasized the importance of practical effects, stating that excessive visual effects would undermine the film’s authenticity.

Visual Impact and Creature Design

One notable concept for the Creature involved an exposed spinal cord. Hill explained, “We wanted to give it a little bit more impact.” This approach enhances the eerie effect, making the Creature’s form visually intrusive.

Hill’s exploration into the human body informed his work. To create the Creature, he intended for its body parts to resemble those collected from a nearby battlefield. Thus, the design features various tones, symbolizing the different body pieces combined into one character.

Jacob Elordi: A Transformative Performance

Jacob Elordi, who was 26 during filming, underwent significant prosthetic transformations for his role. Hill aimed to subtly mature Elordi, giving him a more pronounced brow and nose. “Stronger brows are always associated with the Frankenstein creature,” he noted.

Despite the extensive prosthetic work, Elordi’s eyes remained untouched apart from a slight alteration. “We didn’t want to put zombie sockets on his eyes,” Hill said, recalling del Toro’s guidance on maintaining focus on the character’s expression. Elordi did wear a brown contact lens for effect, enhancing his performance.

Commitment to the Character

The prosthetic application was done around 20 times throughout production. Hill praised Elordi for his dedication, mentioning he never complained during the lengthy process. For Elordi, the experience was transformative, allowing him to fully embody the Creature.

Guillermo del Toro’s “Frankenstein” promises to be a distinct and memorable interpretation, blending artistry with profound themes of creation and humanity. As viewers engage with this film, they can expect a fresh take on a timeless story, brought to life through innovative design and compelling performances.