Show’s Worst Moments Deteriorate Further

This season of *Landman*, created by Taylor Sheridan, showcases an evolution—or rather, a deterioration—of its characters and themes. Premiering on Paramount+ in late 2024, the show gained unexpected popularity, but its recent episodes reveal deeper flaws. The show revolves around Tommy Norris, portrayed by Billy Bob Thornton, a savvy fixer for oil companies.

Controversial Characters and Dialogue

One standout moment from the series has gone viral, highlighting the bizarre exchanges between characters. In a scene, Ainsley Norris, played by Michelle Randolph, casually discusses her sexual experiences with her father. This peculiar dialogue is emblematic of the show’s offbeat humor and questionable writing.

Sofia’s Struggle and Ainsley’s Ambitions

As the second season unfolds, Ainsley’s interactions with her mother, Angela, played by Ali Larter, become increasingly uncomfortable. Angela is depicted as a trophy wife, divorced from Tommy but still entangled in his life. Ainsley, now a high school senior, aims for Texas Christian University, motivated not just by her desire to study but also to join the cheerleading team.

• Ainsley argues at a campus meeting about cheerleaders dating athletes.
• The admissions officer, Greta, finds Ainsley’s views elitist and shocking.
• Ainsley’s naivety highlights her sheltered upbringing within the oil industry.

In a subsequent scene at the family dinner, Angela’s antics escalate. She prepares a lavish meal but becomes irate when her husband comments about her mood affecting the meal planning. This instance mirrors the series’ ongoing struggle with character development and tone, blending humor with unsettling dynamics.

Thematic Exploration of Class and Gender

The stark differences between Ainsley’s carefree existence and the harsh realities of the oil industry provide a backdrop for discussions about class. Throughout the season, viewers witness contrasts between characters—the innocent daughter of privilege and those deeply affected by the industry’s dangers.

Missed Opportunities for Depth

Though *Landman* attempts to tackle significant issues, such as gender roles and the hidden challenges women face, it often falls flat. While there are compelling female characters involved, like Ariana, who grapples with her relationship with a wealthy boyfriend, the Norris women remain two-dimensional. Their comic relief often overshadows any serious narrative function they might serve.

• Ainsley is portrayed as a “fembot,” lacking depth.
• Angela’s eccentricities provide humor but reflect disconnectedness.
• Genuine complexity is found in supporting characters who face real struggles.

As *Landman* progresses, its ability to engage meaningfully with its themes appears limited. The most critical feedback centers on the increasingly disappointing arcs of its central female characters. What started as an intriguing narrative now risks becoming a tedious exploration of superficial character traits.