‘Now You See Me 3’ Dominates Global Box Office, Earning $75.5 Million
Lionsgate’s “Now You See Me 3” has topped the global box office, raking in an impressive $75.5 million. This successful debut includes a remarkable domestic performance as well, highlighting the film’s wide appeal.
Global Earnings Breakdown
Of the total earnings, the film garnered $54.2 million from international markets across 64 territories. Released nearly ten years after its predecessor, “Now You See Me 3” has captured the attention of moviegoers worldwide.
Top International Markets
- China: $19.2 million
- South Korea: $3.9 million
- France: $3.5 million
- United Kingdom: $3.2 million
Production and Direction
Directed by Ruben Fleischer, the film features beloved franchise stars including Jesse Eisenberg, Woody Harrelson, Isla Fisher, and Dave Franco. The film’s production budget stood at $90 million.
Other Box Office Highlights
In addition to “Now You See Me 3,” Sony’s “Demon Slayer: Kimetsu no Yaiba Infinite Castle” debuted strongly in China, earning $52.4 million. This animated film is now recognized as the fifth highest-grossing film of 2025, with total earnings nearing $730 million.
Struggles of Competing Films
Conversely, Paramount’s “The Running Man,” which was adapted from Stephen King’s novel, faced significant challenges. The film managed to attract only $17 million domestically and $11.2 million internationally, resulting in disappointing outcomes given its $110 million budget. Key markets for “The Running Man” included:
- United Kingdom: $3.3 million
- Germany: $1.1 million
- Australia: $1 million
Warner Bros. Performance
Warner Bros.’ “One Battle After Another” also saw notable box office activity, surpassing the $200 million threshold globally after an additional $1.4 million internationally. Despite receiving favorable reviews, the film’s production budget of $140 million has categorized it among the more significant financial disappointments of the year.
Theater owners typically retain around half of ticket sales, contributing to the financial pressures faced by these films.
