Channel 5’s Play for Today Review: Influential Drama Becomes Banal Pantomime

Channel 5 has revived the influential drama series, Play for Today, originally launched by the BBC. While excitement surrounded the announcement, it soon became apparent that this reboot lacks the original series’ radical spirit and audacity.

Revival of a Cultural Legacy

The BBC’s original Play for Today concluded 41 years ago and was known for pushing the limits of TV drama. It confronted audiences with challenging topics, becoming a trailblazer in its time. Channel 5’s chief content officer, Ben Frow, claimed the new series would address pressing issues relevant to today’s viewers.

New Contributors, Familiar Themes

The four new programs share the name and concept of the BBC series but often fall short of its innovative legacy. The stories, while touching upon serious issues, feel standard and overly familiar. They largely target an older audience, acknowledging that individuals aged 65 and older consume more live television than younger demographics combined, according to a 2024 Ofcom report.

• Never Too Late: This initial episode features Cynthia, portrayed by Anita Dobson. After a fall, her daughter sends her to a retirement village, where she encounters former rock star Frank, played by Nigel Havers. The episode, however, descends into a predictable narrative punctuated by a forced sing-along.
• Big Winners: Written by Martha Watson Allpress, this drama examines the life of Edith, played by Sue Johnston, who seeks a divorce from her husband Arthur, portrayed by Paul Copley, immediately after he wins the lottery. The performance is noteworthy, and the ending is particularly bleak.
• A Knock at the Door: This episode revolves around a wealthy comedian, played by Alan Davies, whose life is disrupted by an unexpected visitor claiming to have been mugged. The episode lacks the twist that has spoiled viewers of similar thrillers.
• Special Measures: Starring Jessica Plummer as an overworked teacher, this installment covers her struggles during an Ofsted inspection. The performance is commendable, but the setting of an underfunded school feels regrettably familiar.

Conclusions on the Reboot

The revival of Play for Today may not break new ground but fulfills a niche by offering relatable stories to an older audience. However, the question remains whether we should accept this as a new standard or continue to demand more challenging, thought-provoking content from broadcasters.

This reboot may serve as a reminder of what once was, but it highlights the urgent need for innovation in today’s television landscape. As audiences seek distinctive narratives, it remains crucial for creators to take risks that can redefine television drama.

Play for Today is currently airing on Channel 5, providing a mix of nostalgia and reflection on contemporary issues.