White House Criticizes Sabrina Carpenter Over Song’s Use in ICE Video

Pop star Sabrina Carpenter has recently found herself at the center of controversy after a statement from the White House. The incident began when Carpenter’s song “Juno” was featured in a video posted by the White House, showcasing the activities of Immigration and Customs Enforcement (ICE) agents.

White House Criticism of Sabrina Carpenter

The video, released on social media, depicts ICE arrests while Carpenter’s song plays. The use of the song sparked outrage, leading Carpenter to condemn the video as “evil and disgusting.” She made it clear that she does not support the message being promoted by the video or the administration’s policies.

In response to Carpenter’s comments, White House spokesperson Abigail Jackson labeled her “stupid” in an official statement. Jackson’s remarks included a pointed reference to Carpenter’s hit song “Manchild,” suggesting that those who defend criminal behavior must be “stupid, or is it slow?”

Details of the Incident

The timeline of events unfolded as follows:

• Monday: The White House posts a video featuring ICE arrests with Carpenter’s song.
• Tuesday morning: Carpenter responds, condemning the use of her music.
• Later that day: Jackson’s response comes, criticizing Carpenter directly.

Carpenter’s statement on social media emphasized her disapproval of her music being used to further what she described as an inhumane agenda. Despite the heightened exchanges, Carpenter has not yet issued a follow-up comment.

Context of the Dispute

This incident is not the first time the Trump administration has been involved in public disputes with female artists. President Trump has previously made derogatory comments about stars like Taylor Swift and has even called for investigations into Beyoncé based on unfounded allegations.

Over the past decade, numerous artists have requested that their music not be associated with Trump’s campaigns or official videos. This recurring issue highlights the growing tensions between artists and political figures over the use of music in political contexts.