‘All Her Fault’ Streaming Ratings Surge in Week Two
Peacock’s series All Her Fault experienced a notable increase in its streaming ratings during its second week. The show achieved record-breaking viewership, making it the most-watched original scripted series on the NBCUniversal streaming platform. Between November 10 and 16, All Her Fault logged an impressive 867 million minutes of viewing time, marking a 92% increase from its debut week.
Record-Breaking Streaming Performance
This surge positioned All Her Fault as the third most popular original series and fourth overall on Nielsen’s streaming charts for that week. Furthermore, it set the highest single-week viewing record for any Peacock original scripted series, surpassing all previous benchmarks. The last time Peacock saw similar numbers was with Love Island in mid-July.
Comparative Performance of Streaming Shows
- Stranger Things: Returned to the top ranking with its first four seasons accumulating about 1.35 billion minutes, growing by 46% week to week.
- The Beast in Me (Netflix): Achieved 952 million minutes during its premiere week, representing the strongest opening of the week.
- The Secret Lives of Mormon Wives (Hulu): Returned with 651 million minutes, aligning closely with last season’s debut numbers.
- All’s Fair (Hulu): Despite drawing 3.2 million views in its opening weekend, the show did not make it into the Nielsen top 10 for U.S. audiences.
In terms of viewership minutes for the past two weeks, Death by Lightning (Netflix) ranked No. 10 among original series with 392 million minutes and 425 million minutes.
Top Streaming Titles: November 10–16
| Title | Total View Minutes |
|---|---|
| Guillermo del Toro’s Frankenstein | 1.11 billion |
| All Her Fault | 867 million |
| Stranger Things | 1.35 billion (combined for first four seasons) |
| The Beast in Me | 952 million |
| The Secret Lives of Mormon Wives | 651 million |
| Death by Lightning | 392 million / 425 million |
It is important to note that Nielsen’s streaming ratings are based on viewing on TV sets only. They do not account for viewing on mobile devices or computers, and only cover U.S. audiences. As All Her Fault continues to gain traction, it solidifies its position within the competitive landscape of streaming content.
