Mel Brooks Pulls Hilarious Prank on Grinning Werner Herzog

In a surprising turn of events in Hollywood, an unexpected friendship blossomed between iconic filmmaker Mel Brooks and avant-garde director Werner Herzog. The duo’s unlikely bond traces back to the 1970s, coinciding with Herzog’s rise as a prominent director.

Werner Herzog’s Cinematic Evolution

During the 1970s, Herzog established himself through standout films like *Aguirre, the Wrath of God* (1972), *The Enigma of Kaspar Hauser*, and *Stroszek*. These movies played a crucial role in shaping the New German Cinema movement, characterized by its exploration of philosophical themes and cinematic innovation.

A Unique Encounter

Herzog’s appreciation for the experimental film *Eraserhead* by David Lynch led him to share his admiration with Brooks, unaware of the comedian’s existing enthusiasm for the film. Herzog recounted the moment in an interview, detailing how he enthusiastically introduced the film to Brooks.

The Prank Unfolds

While discussing *Eraserhead*, Herzog excitedly told Brooks, “You must see the film. It’s only at midnight screenings at the Nuart Theater.” However, he was taken aback when Brooks, continually grinning, revealed his familiarity with the film’s creator: “His name is really David Lynch, do you like to meet him?”

This light-hearted banter culminated in a visit to Lynch, who was in pre-production for *The Elephant Man*, a project produced by Brooks. Despite Brooks’ comedic reputation, he carefully avoided crediting himself to ensure viewers approached the film without preconceived notions of comedy.

The Impact of Friendship

In reflecting on their engagement, Herzog acknowledged Brooks’ playful demeanor, stating, “The bastard sits there and lets me talk and talk and talk, and I had no idea.” Their interaction showcases not just a unique friendship but also highlights the blend of humor and artistry in their respective works.

• Key Figures: Mel Brooks, Werner Herzog, David Lynch
• Film Highlights: *Eraserhead*, *The Elephant Man*, *Aguirre, the Wrath of God*
• Cinematic Movements: New German Cinema
• Decade of Friendship: 1970s

This delightful tale of Mel Brooks pulling a hilarious prank on Werner Herzog emphasizes the lighter side of the film industry, where friendship can bridge even the most unlikely of worlds.