Jacob Elordi Thanks Team for 10-Hour Makeup Transformation
Jacob Elordi has shared his gratitude for the extensive makeup process he underwent while portraying the Creature in Guillermo Del Toro’s adaptation of “Frankenstein.” The actor spent a remarkable 10 hours in the makeup chair to transform into Victor Frankenstein’s creation. At 28 years old, Elordi considered this extensive preparation to be “the greatest blessing.”
Benefits of a 10-Hour Makeup Transformation
During a discussion at The Hollywood Reporter’s Actors Roundtable, Elordi expressed how the lengthy makeup session provided him with ample opportunity to delve into his character. He stated, “It gave me the freedom to be completely expressive.” This extensive time allowed him to fully immerse himself in the screenplay and develop his ideas for the role.
A Unique Approach to Character Development
- Elordi’s full transformation took approximately 10 hours.
- When clothed, the transformation only required about 5 hours.
- He had additional time to ponder his role while preparing.
Elordi recalled Guillermo Del Toro’s vision for the character. He described it as a transformative experience rather than just a prosthetics process. Del Toro framed it as a “sacrament,” emphasizing the depth of the role. The actor reflected, “If you could have 10 hours every day to get ready for work, it would be the greatest blessing.”
Facing Challenges During Filming
Despite the extensive preparation, Elordi faced unexpected challenges during filming. He was tasked with shooting the film’s emotional climax earlier than anticipated. Reflecting on this, he mentioned, “The final scene of Frankenstein is meant to be full, operatic emotion, forgiving the father.” The last-minute scheduling placed additional pressure on Elordi, especially since it was his first time acting alongside Oscar Isaac.
Overcoming Performance Anxiety
Elordi admitted feeling overwhelmed before the scene but found relief in avoiding obsessive thoughts about it. He noted, “If I’d obsessed over it, it would have been a nightmare.” Fellow actor Wagner Moura chimed in, suggesting that sometimes, spontaneity might yield better results than extensive preparation.
Reflections on the Creative Process
Elordi concluded by highlighting the fluid nature of acting. He emphasized that the preparation process is often intangible, making it difficult to gauge readiness accurately. “You have to pretend that there is a business structure to it,” he remarked. The blend of creativity and preparation can significantly enhance the artistic experience for actors.
