‘Red Eye’ Star Jing Lusi Teases Season 2 Binge-Fest and U.K.’s ‘Crazy Rich Asians’ Dream
Jing Lusi is gearing up for the much-anticipated season two of the ITV thriller, Red Eye. The actress, who starred as Hana Li, a determined detective sergeant in the Metropolitan Police, has seen the show rapidly gain popularity. In its first season, which launched in 2024, it captivated audiences, achieving 8 million viewers and 29.3 million streams on ITVX.
Red Eye Season Two: A New Twist
The upcoming season premieres on New Year’s Day in the U.K. This time, Lusi’s Hana teams up with Clay Brody, portrayed by Martin Compston. The pair face intense challenges following a murder at the U.S. Embassy in London. As they navigate their differences to uncover another conspiracy, tensions rise, promising an engaging storyline for viewers.
Impact of Crazy Rich Asians on Asian Representation
Lusi, who gained recognition in the 2018 film Crazy Rich Asians, reflected on the significance of Asian representation in media. Although the film grossed over $230 million globally, she notes a stark contrast in the U.K., where she sees limited Asian-led projects. This discrepancy raises questions about the future of representation in British television.
Challenges and Opportunities in Red Eye
In her role as Hana, Lusi finds herself in a male-dominated environment, grappling with complex dynamics among her male counterparts. “It’s refreshing to portray a woman who stands her ground,” she stated, emphasizing the importance of portraying female relationships devoid of romantic undertones.
Thematic Depth and Filming Experience
Filming Red Eye is uniquely intense, taking place in a confined environment similar to a “locked box”. This creative choice enables continuous storylines, heightening viewer engagement. The cast, including Lesley Sharp and Jemma Moore, returns, bringing depth to the story as they explore high-stakes situations within the confines of the embassy.
Aiming for Authenticity
Lusi mentioned the intricacies of filming, particularly maintaining continuity throughout the tight shooting schedule. The pressure of realism enhances the thrill of the production. She believes this commitment to detail is what draws audiences to the series, allowing them to feel fully immersed in the narrative.
Looking Ahead
As Lusi navigates her role in Red Eye, she also looks forward to her participation in a new political dramedy titled Number 10, written by Steven Moffat. This project excites her as she explores comedic elements while maintaining a strong character presence.
Conclusion: A Binge-Worthy Experience
With season two of Red Eye set to drop on New Year’s Day, fans can expect a thrilling binge-fest. The show’s blend of suspense, character development, and cultural representation continues to resonate with audiences, making it a significant addition to the current landscape of British television.
