Peter Criss Refutes Gene Simmons’ Claim on KISS Classic ‘Beth’
Peter Criss has responded to Gene Simmons’ assertion regarding the classic KISS song “Beth.” Criss, the drummer and co-writer of the track, collaborated with Stan Penridge and producer Bob Ezrin in its creation. Initially released in 1976, “Beth” was a B-side to “Detroit Rock City.” It eventually gained popularity, reaching No. 7 on the Billboard Hot 100 and becoming KISS’ biggest hit.
Peters Criss’ Role in “Beth”
The song was certified gold by the RIAA and won a People’s Choice Award in 1977. Criss has emphatically countered Simmons’ comments, stating that they misrepresented his contribution. He said feelings of resentment arise from Simmons claiming, “Peter had nothing to do with that song.” Criss insisted, “Gene wouldn’t know how the song was originally written because he wasn’t there from the conception in the late ‘60s.”
The Creative Process Behind “Beth”
Criss highlighted his significant role in the creative flow of “Beth.” He emphasized that he wrote the melody and phrasing of the original demo, titled “Beck.” He explained that the song evolved through collaboration with Ezrin, who modified the tempo and structure. Criss mentioned, “Bob Ezrin changed the title from ‘Beck’ to ‘Beth.’”
According to Criss, Ezrin took the song home, enhancing its lyrics and orchestration. He noted, “The New York Philharmonic recorded its part, marking one of the most beautiful days of my life.” Criss expressed gratitude for Ezrin’s input, stating, “Without Bob Ezrin’s orchestral composition, the song would not be what it is today.”
Ezrin’s Clarification
Bob Ezrin corroborated Criss’ account, indicating that the original version was indeed written by Criss and Penridge. He shared that he restructured the song to make it more sensitive and impactful. Ezrin noted, “It became more of a tragedy where both their hearts were broken.”
Historical Context and Controversy
Criss indicated that both Simmons and Paul Stanley were initially resistant to the ballad format. He pointed out that it was Ezrin who spearheaded the idea, emphasizing the need for a song appealing to female audiences. Criss defended his songwriting credibility, countering Simmons’ claims about drumming not being a musical instrument. He stated, “Drums are critical for timekeeping and are a fundamental part of music.”
Future Endeavors
At 80, Criss remains active in the music scene and recently released his first solo album after 18 years. He has hinted at possible concert dates and is contemplating a follow-up album. Despite past tensions during his tenures with KISS, he maintains his dedication to music and his craft.
