Flatley Fights Debt and Allegations to Save Lord of the Dance Show
Michael Flatley, known as the “Lord of the Dance,” faces significant challenges as he contends with financial difficulties and legal disputes related to the iconic dance show he created. Following the 30th anniversary tour announcement, Flatley has been issued a temporary injunction by the High Court in Belfast prohibiting him from participating in the production. This injunction raises serious concerns about the viability of the upcoming shows, with performances scheduled to start in Dublin on February 5th.
Legal Dispute Over Lord of the Dance
Flatley’s legal troubles stem from a lawsuit filed by Switzer Consulting, the company currently staging “Lord of the Dance.” They claim that Flatley breached a contract established two years ago, giving them control over the production. This contract restricts Flatley’s role to receiving royalties only.
Injunction’s Impact on the Show
The court heard that Switzer Consulting fears the show might collapse without Flatley’s involvement, citing his essential artistic direction. With just weeks until the Dublin launch, both parties are in a race against time to resolve their differences.
Financial Allegations and Backing
Switzer has accused Flatley of financial mismanagement, alleging that he attempted to undermine their agreement by contacting promoters and seeking to divert funds meant for the show. Due to reported financial difficulties, Flatley is supported by construction magnates Maurice Regan and Luke Comer, who backed him with a €7 million loan to retain his Castlehyde mansion in County Cork.
Pending Show Schedule and Financial Health
- The Dublin show is set for February 5th, with ticket prices starting at €69.55.
- This anniversary tour includes 266 scheduled performances across 10 countries.
Despite these performances, Flatley’s past financial issues have raised concerns. Switzer claimed in court that Flatley was “broke” in a previous meeting, highlighting issues with payment to staff and suppliers under his prior management.
Claims of Ownership and Control
Amid the ongoing legal disputes, Flatley asserts he retains a beneficial shareholding in Switzer. His lawyers argue that this claim could enable him to regain control of the company. However, Switzer disputes Flatley’s claims, maintaining that he is not fit to manage the show due to his financial history.
Potential Outcomes for the Upcoming Shows
As the February 5th date approaches, urgency surrounds the court proceedings. Justice Gerald Simpson underscored the need for a swift resolution, given that the show is just weeks away. Both Flatley and Switzer face significant stakes in the outcome of this legal battle.
Flatley’s supporters continue to stand by him, with Regan and Comer emphasizing his legacy as a cultural ambassador for Ireland. With his innovative approach to dance and theater, the hope is that a resolution will allow “Lord of the Dance” to continue captivating audiences worldwide.
