Philip Glass Withdraws Lincoln Symphony Premiere from Kennedy Center

Philip Glass Withdraws Lincoln Symphony Premiere from Kennedy Center

Renowned composer Philip Glass has decided to withdraw his symphony, “Lincoln,” from the Kennedy Center. This decision comes amid growing concerns over the institution’s alignment with values he opposes under the current leadership of Donald Trump.

Withdrawal of Philip Glass’s “Lincoln” Symphony

In a statement on X, Glass announced the decision, stating, “After thoughtful consideration, I have decided to withdraw my Symphony No. 15 ‘Lincoln’ from the John F. Kennedy Center for the Performing Arts.” He emphasized that the themes of his work are in stark contrast to the current climate of the Kennedy Center.

Context of the Withdrawal

This withdrawal is part of a wider pattern among artists distancing themselves from the Kennedy Center, which recently added Trump’s name to its facade. Glass’s “Lincoln” symphony was set to premiere in June and is intended to honor Abraham Lincoln through its orchestral sections. These sections include:

  • Lyceum Address
  • Autobiography
  • Slavery
  • The End of the War
  • Farewell Address

Glass’s concerns stem from the organizational values he believes are misaligned with Lincoln’s legacy, stating that these conflicts led to his decision.

Other Artists Following Suit

Glass is not alone in his actions. Other artists have also canceled projects at the Kennedy Center since Trump’s involvement. This includes:

  • Issa Rae
  • Lin-Manuel Miranda (“Hamilton”)
  • Renee Fleming
  • Stephen Schwartz
  • The Washington National Opera
  • Bela Fleck
  • Jazz ensemble The Cookers
  • Billy Hart
  • Doug Varone and Dancers
  • Chuck Redd
  • Kristy Lee

About Philip Glass

Philip Glass, now 88, has a celebrated history with the Kennedy Center, including receiving a Kennedy Center Honors award in 2018. His extensive body of work includes:

  • 14 symphonies
  • 15 operas
  • 12 concertos
  • Numerous film scores

Glass is also a three-time Academy Award nominee, recognized for his scores in the films “Kundun,” “The Hours,” and “Notes on a Scandal.” His versatile output includes influential operas such as “Einstein on the Beach” and “Akhnaten.”

As the arts community reacts to changes at the Kennedy Center, Philip Glass’s withdrawal serves as a poignant reminder of the interplay between art and political values.