Wasserman Music Stabilizes with Name Change and Sale Progress

Bassyonni

Published: February 24, 2026 7:03 AM ET

Wasserman Music is undergoing significant changes, marked by a forthcoming name change and an impending sale. This transition has led to a calmer environment within its music division, as executives monitor developments while many artists adopt a watchful stance.

Name Change and Sale Progress

The agency, already facing scrutiny due to founder Casey Wasserman’s connection to the Epstein files, is in the process of rebranding. A new name is anticipated to be revealed shortly, with the sale expected to unfold over several months.

The music division has seen increased stability despite ongoing challenges.
Only two agents have resigned: Kiely Mosiman and Jackie Nalpant, citing solidarity with their artist Chappell Roan.
Multiple artists, including Sara Bareilles, SZA, and Imagine Dragons, are deliberating their future with Wasserman Music.

Artist Departures and Market Dynamics

While some artists have left Wasserman Music, the reasons and circumstances of their departures are nuanced. For instance, reports indicate that Billie Eilish had parted ways with the agency prior to recent controversies involving Wasserman.

Similarly, Imagine Dragons engaged in discussions with alternative agencies, notably CAA, before the current allegations gained media attention. As of now, the band remains with Wasserman while exploring their options.

Artist Loyalty and Future Prospects

Artists typically demonstrate strong loyalty to their agents, often following them to new firms. This loyalty might lead to potential returns to Wasserman under new ownership, given that the primary concerns regarding Wasserman’s behavior are addressed.

Market Position and Challenges

Wasserman Music comprises a collection of factions, resulting from previous acquisitions, including the merger with Paradigm Music in 2021. Despite securing a prominent place at events like Coachella, the agency faces operational challenges.

Wasserman Music employs over 400 individuals, leading to high overhead costs.
Profit margins on bookings for superstar artists remain unimpressive.

As the agency navigates these changes, the music division’s future remains uncertain. Insights suggest that potential buyers, whether private equity firms or individuals, will need to consider the agency’s complexities before making a purchase. El-Balad will continue to provide updates as the situation progresses.