Brian Austin Green is part of the cast of Eat Your Heart Out, the horror-comedy musical Taylor Morden has already wrapped after a five-week shoot in and around Eugene, Oregon. The project is now in post-production, so the cast announcement lands on a finished indie rather than a title still trying to get off the ground.
Tania Raymonde leads the ensemble as Jules, with Breanna Yde playing Rory, and Green joins Steve Agee in the cast. Morden directed from a script he co-wrote with Emily Claire, and the film is being positioned around original musical performances, practical effects, and a small-town story built on a major music festival and a risky new party drug.
Tania Raymonde’s double hook
Raymonde said the film gives her two things she rarely gets in one project: music performance and genre mayhem. “Those were two huge bucket-list things I wanted to check off, and you almost never get to do both in the same movie.”
She added, “Getting to be a rock star, play music and kill zombies … I mean, what else do you need? It’s kind of the perfect film.” For an actor-led indie, that kind of specificity usually helps a film stand out before release, because it signals exactly what the audience is buying into.
Eugene, Oregon after five weeks
Five weeks in and around Eugene, Oregon is short enough to keep a production lean and long enough to suggest the team had to stay disciplined about what made the cut. Morden, who previously helmed The Last Blockbuster in 2020, has described the movie as a mix of practical effects, absurd comedy, rad musical numbers and a surprisingly heartfelt story about friendship and finding your place in the world.
That combination is also why the cast list matters beyond name recognition. Raymonde, Brian Austin Green, Steve Agee, and Breanna Yde give the film a recognizable center while Morden and Emily Claire keep the project tied to a specific creative voice rather than a generic zombie premise.
Post-production, no release date
Eat Your Heart Out is already wrapped and in post-production, but the public still does not have a release date to work with. That leaves the film in the familiar indie gap between completed production and distribution visibility, where the next meaningful update will be whether the finished cut lands a date, a platform, or a festival path.
For now, the practical takeaway is simple: the cast is set, the footage exists, and Brian Austin Green is now attached to a completed horror-comedy musical that is moving toward release rather than development. The only missing piece that really matters to audiences is when Eat Your Heart Out will be released.
