Hugo Sélignac pays tribute as Natalia Dontcheva dies at 56

Natalia Dontcheva died on 1 August at 56. Hugo Sélignac cited "un combat de dix ans" as tributes recalled her TV, film and stage work.

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Hugo Sélignac pays tribute as Natalia Dontcheva dies at 56

Natalia Dontcheva died on Saturday 1 August at the age of 56. The Franco-Bulgarian actress had built a career across TF1, France 2, film and theater, so the loss reaches several parts of the screen and stage system at once.

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Hugo Sélignac and Arnaud Sélignac

Laurent Savry announced the death, and the first reactions quickly turned personal. Hugo Sélignac wrote, "Du côté Sélignac, notre socle, c’était toi," and added "un combat de dix ans," while also thanking her for the love given to Arnaud Sélignac for twenty-five years.

That detail gives the news its sharpest edge. The death was made public without any cause attached, but Hugo Sélignac’s words point to a long struggle, which is the part readers are left to read between the lines rather than in the announcement itself.

TF1 roles from 1998 to 2024

Dontcheva’s screen trail runs from 1998 to 2024. She played the client of Mimie Mathy in Joséphine Ange Gardien in 1998, 2001 and 2014, appeared in Julie Lescaut and Une femme d’honneur in the early 2000s, acted alongside Thierry Lhermitte in Doc Martin between 2011 and 2015, and returned with Les Disparus de la Forêt noire in 2023 and Disparition inquiétante in 2024.

Her film and stage credits fill in the rest of the ledger. She appeared in Madame de Joncquières and L’Apparition in 2018, gave the reply to Daniel Auteuil in Le malade imaginaire in 2019, and played Dorothy Parker in Excusez-moi pour la poussière at the Lucernaire in 2016.

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Bulgaria, France, and 1969

Born in Sofia in 1969, Dontcheva began her career in France in 1989 and came from a family shaped by Plamen Donchev, the Bulgarian actor identified as her father. Michel Scotto di Carlo called her "une grande, très grande actrice," Christine Citti described her as "une belle personne, drôle, forte, amoureuse, digne," and Tatiana Goussef recalled "souvenirs merveilleux" from Bretagne on the Doc Martin set.

The practical consequence is simple: the work is already there, and it now reads as the record of a career cut short at 56. What remains open is the exact nature of the "combat de dix ans" Hugo Sélignac named, because that is the part of her final years the public still does not have in full.

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