Taylor Sheridan Set to Exit Paramount After Current Deal, Eyes NBCUniversal Home for Films and TV

Taylor Sheridan, the creative force behind the “Yellowstone” universe and a slate of hit dramas, is moving toward a major realignment of his business ties. Recent updates indicate that Sheridan has struck a new long-term pact that would shift his film work to NBCUniversal as early as next year, with his television output expected to migrate after his existing agreement with Paramount concludes—targeted for 2028. The precise start dates vary across industry guidance, but the direction is clear: the most bankable showrunner in contemporary TV is preparing a new home base while he finishes his current roster.

What the Taylor Sheridan move means right now

In the near term, viewers shouldn’t expect an abrupt change to shows already connected to Paramount’s platforms. Projects in progress will continue under existing arrangements, with Sheridan still delivering episodes, writers’ room work, and production oversight where contracted. The new film pact positions him to begin developing and producing features under a different studio banner in parallel, creating an unusual—but increasingly common—period of overlap for top-tier creators.

The staggered timing serves two purposes. It keeps Sheridan’s prolific TV pipeline stable for partners and audiences while opening a fresh avenue for theatrical and streaming films. For a creator who writes, produces, and sometimes directs multiple series at once, the dual-track strategy minimizes disruption while building a runway for the next phase of his portfolio.

Status check: the Taylor Sheridan slate

Sheridan’s universe spans contemporary thrillers, historical sagas, and character-first procedurals. Here’s where several high-profile titles stand:

• “Yellowstone” continuations and spinoffs: With the flagship saga concluded, the focus shifts to follow-ups and adjacent stories, including present-day extensions and period chapters still in development. The Texas-set “6666” remains on the board, tied to the storied Four Sixes Ranch that has long been part of Sheridan’s mythology and business interests.

• “Landman”: A modern-energy drama headlined by a marquee ensemble. Season one put down a compelling foundation; casting moves and writers’ room activity signal deeper dives into boom-and-bust storylines, with personnel additions already mapped for the second season arc.

• “Mayor of Kingstown”: The gritty small-city power play continues to attract strong viewership, with future seasons positioned to probe corruption, policing, and community survival in tighter, more serialized bursts.

• “Tulsa King” and offshoots: The crime dramedy fronted by a screen icon remains a growth area, with a universe of potential spinoffs anchored by new antagonists and markets.

• “Special Ops: Lioness”: The women-led espionage thriller has solidified its core team and international fieldcraft palette, setting up storylines that can shift between theaters of operation while keeping a tight emotional lens on the agents’ home lives.

• “Lawmen” anthology: The historical law-and-legend format gives Sheridan a flexible platform to spotlight different eras and figures, with room for companion miniseries that interlock without requiring a single throughline.

Note: Some timelines and cast details are still fluid and subject to production calendars; official announcements in the coming weeks will clarify premiere windows and renewal cadence.

Why a Taylor Sheridan shift matters for Hollywood

A revenue engine in motion. Sheridan’s shows have delivered outsize subscriber pulls and library value. Moving him—even gradually—reshapes development slates across platforms and can tilt bidding wars for top actors, directors, and below-the-line talent.

Theatrical and streaming synergy. The film-side move opens possibilities for mid-budget thrillers and Western-tinged dramas that mirror the pace and tone of his series, potentially cross-pollinating audiences between episodic worlds and standalone features.

Market signal for creator deals. The contours of Sheridan’s transition—film first, TV later—may become a template for other multi-hyphenates managing long-term obligations while seeking new creative freedom and back-end structures elsewhere.

What to watch next for Taylor Sheridan

1. Formal start dates and phasing: Look for clarity on when the film pact activates and how development queues are prioritized, followed by definitive timing for the TV handover after 2028.

2. Greenlights under the new banner: Early film announcements will reveal the tone of Sheridan’s first wave—contemporary thrillers, Western crime sagas, or a surprise genre pivot.

3. Casting pipelines: Expect quick movement on familiar collaborators alongside new faces, reflecting both loyalty to core creative teams and the reach of a larger studio network.

4. Where the ranch stories land: Updates on “6666” will be a bellwether—its scale, location needs, and brand recognition make it a logical crossover play as the studio landscape shifts.

5. Scheduling choreography: With multiple active series, watch how production calendars stack to avoid bottlenecks and preserve quality—a challenge Sheridan’s camp has historically navigated with tight writers’ rooms and location-first planning.

Taylor Sheridan’s next chapter is taking shape: films launching under a new studio umbrella as early as 2026, with television poised to follow after his current deal winds down around 2028. While some particulars are still being finalized, the move underscores his status as a rare one-man franchise maker—able to anchor a platform today while setting the terms for tomorrow. For fans, it means more of the same high-stakes, character-driven storytelling—just produced from a different address once the handoff is complete.