Review of ‘Pluribus’: Vince Gilligan Explores the Right to Unhappiness

Vince Gilligan returns to his roots with “Pluribus,” a new sci-fi series premiering on Apple TV. Known for revered shows like “Breaking Bad” and “Better Call Saul,” Gilligan takes viewers on a journey through themes of happiness and individual rights.

Overview of ‘Pluribus’

The show stars Rhea Seehorn as Carol Sturka, a prosperous yet discontented author of historical romance novels. Despite her wealth, Carol considers her work “mindless crap.” She shares both a personal and professional relationship with her manager, Helen, played by Miriam Shor. The series is set in Albuquerque, echoing the backdrop of “Breaking Bad” and “Better Call Saul.”

A Central Premise

A mysterious signal from space leads scientists to translate it into an RNA sequence. This sequence morphs into a virus-like entity, impacting the globe almost instantly. Carol, however, remains immune to its perks, standing apart from those affected. The virus is described as “psychic glue,” reminiscent of the Borg from “Star Trek” and the cult-like pod people from “Invasion of the Body Snatchers.”

Thematic Elements

One of the core themes of “Pluribus” revolves around the concept of happiness versus a person’s right to embrace unhappiness. As the infected populace becomes compulsively cheerful, the show poses intriguing questions about societal compliance. In this new world, crime, war, and zoos vanish, yet the absence of joy raises unsettling implications.

• Premiere Date: Friday
• Location: Albuquerque
• Main Cast:
  • Rhea Seehorn as Carol Sturka
  • Miriam Shor as Helen
  • Karolina Wydra as Zosia
  • Carlos Manuel Vesga as Manousos
  • Samba Schutte as Mr. Diabaté
• Episodes: First season comprises nine episodes, with seven available for review.
• Gilligan’s Age: 58

Character Dynamics

After Helen exits the series, Carol engages primarily with Zosia, a character relaying the hive’s intentions. Zosia attempts to coax Carol into a state of contentment despite her immunity. The limited number of characters emphasizes the desolation of the setting, further enhanced by a lack of youth.

Series Tone and Development

Although “Pluribus” takes its time in storytelling, it never falters in maintaining viewer engagement. Seehorn’s performance is noteworthy, conveying a range of emotions as she navigates a world marked by enforced happiness. The narrative balances humor and serious inquiry, presenting Carol as a complex figure against a one-dimensional society.

Gilligan has outlined specific rules within the plot to drive the story forward, ensuring that the viewer remains intrigued as the series progresses. With a second season already confirmed, the journey of “Pluribus” promises to unfold in unexpected ways. As Carol points out, previous tales suggest that such stories rarely end well—but perhaps, this one will defy expectations.