Jack Fisk Revives 1950s New York in Stunning Recreation

Jack Fisk, a renowned production designer, is instrumental in creating the striking 1950s New York backdrop for the film “Marty Supreme.” Known for his exceptional work over the past 30 years, Fisk collaborates closely with director Josh Safdie. The film stars Timothée Chalamet as Marty Mauser, a talented ping pong player.

Embodying 1950s New York in Film

“Marty Supreme” transports audiences to the vibrant Lower East Side, featuring street vendors and quaint shops typical of the era. Fisk’s extensive knowledge of historical aesthetics helps recreate authentic environments that resonate with viewers.

Collaboration with Josh Safdie

Fisk shares a unique partnership with Safdie, both dedicated to historical accuracy. They meticulously researched details, such as sourcing 1950s-style ping pong balls, to ensure authenticity. “Josh has so much energy for New York,” Fisk notes, showcasing their collaborative spirit.

Key Filming Locations

• New York’s Plaza Hotel and Indonesian Embassy stood in for luxury London hotels.
• The Woolworth mansion on East 80th Street served as the residence for two affluent characters.
• Meadowlands Arena in New Jersey hosted recreated international table tennis tournaments.

Attention to Detail in Set Design

Fisk’s dedication to authenticity is further illustrated by his design of the Broadway Table Tennis Club. Although the original building no longer exists, Fisk sourced vintage photographs and blueprints to guide the set’s reconstruction. This level of detail aims to immerse actors and audiences in the story’s time period.

Creating the Shoe Store Scene

Fisk utilized his firsthand experience of 1960s New York to shape the appearance of the Northridge shoe store. The crew faced challenges from modern architecture; they crafted modular tenement fronts to camouflage contemporary aesthetics. The use of period-appropriate colors was essential in evoking a true 1950s feel.

Filming in Japan

A pivotal scene takes place in Japan for a championship tournament. Fisk coordinated extensively with the Japanese art department to finalize the set design before filming. They selected a concert shell in a Tokyo park, perfectly aligning with the historical setting.

Seamless Cultural Integration

The collaboration with local artists and craftsmen was a highlight of the project. Fisk admired the ease of working in Japan, noting how quickly their visions came to life. This cooperation ensured that the film’s depiction of the Japanese tournament remained respectful and authentic.

Jack Fisk’s ability to resurrect 1950s New York not only enriches the visual storytelling of “Marty Supreme” but also highlights the importance of meticulous research in film production. His work serves as a testament to the power of thoughtful, detail-oriented design in the cinematic arts.