Indigenous Artist Criticizes Ontario Premier’s Basket Weaving Remarks
A third-generation Indigenous basket maker has responded to remarks made by Ontario Premier Doug Ford regarding basket weaving as a course of study. Ford’s comments came during a defense of changes to the Ontario Student Assistance Program. He stated that students were “picking basket weaving courses” and suggested there was limited market value for such skills. This statement has drawn significant criticism from the Indigenous community.
Indigenous Artist Responds to Premier’s Remarks
Spencer Lunham Jr., a prominent basket maker from the Chippewas of Kettle and Stony Point First Nation, criticized Ford’s remarks as disrespectful and ignorant. With over 30 years of experience, Lunham emphasized that basket weaving is a vital part of his culture and that it provides a sustainable living.
The Art of Basket Weaving
Lunham explained the intricate process of making baskets, which includes:
- Harvesting black ash trees
- A splitting and pounding method to create material for weaving
- The actual weaving process, which requires considerable planning and artistry
He produces both utility baskets and traditional fancy baskets, which can sell between $150 and $3,000 each. Lunham notes that he sells several hundred baskets annually, showcasing the financial viability of his craft.
A Significant Cultural Tradition
According to Lunham, basket weaving is more than just a craft; it’s a part of a cultural revival among Indigenous communities. He educates others about this art form through workshops at universities, colleges, and Indigenous communities. His classes are frequently filled with eager learners who appreciate the cultural significance and therapeutic aspects of weaving.
“What Ford said was wrong. If students pursue basket weaving, it’s a valuable education that can lead to successful careers,” Lunham stated.
Community Engagement and Impact
Most of Lunham’s customers are Indigenous, who understand the value of traditional baskets. However, he also receives interest from non-Indigenous buyers. This engagement reflects a growing appreciation for Indigenous artistry and the skills required to create it.
In light of Ford’s comments, Lunham urges a greater recognition of the art form and its importance within Indigenous heritage. He hopes to inspire others to explore and appreciate their cultural traditions through crafts like basket weaving.
