Kayla Jade Slams Sydney Sweeney Euphoria Season 3 Scene Over OnlyFans Arc
Kayla Jade is calling out the sydney sweeney euphoria season 3 scene after Sydney Sweeney’s Cassie was written into an OnlyFans arc that she says reinforces the worst stereotypes about sex work. In a recent TikTok, the influencer and sex worker argued that the show’s framing profits from a version of the job that real workers do not recognize.
“I would never understand the love hate relationship that people have towards SW [sex work] on shows like Euphoria,” Jade said. “Like, it's great having them represented in TV when they're shown as a real person who just happens to be a worker.”
Kayla Jade on Cassie
Jade said the problem starts when Cassie is written with “zero boundaries” and a willingness to do “anything for a bit of money.” She added, “When you're showing them have zero boundaries and will do anything for a bit of money, it just reinforces those negative views towards SW.”
Her criticism lands on a storyline that has Cassie joining OnlyFans in season three to help pay off debts for husband Nate, played by Jacob Elordi. The show has already pushed the character through a dog-themed photoshoot, a see-through babydoll dress and a pacifier, then a separate sequence in which she is dressed as a baby in a diaper.
Sydney Leathers on May 10
OnlyFans creator Sydney Leathers made a separate critique on May 10, calling the storyline “ridiculous and cartoonish.” She said, “There’s so much that they have her doing that is not even allowed on OnlyFans, and that alone is infuriating: the age-play stuff where she’s dressed as a baby in a diaper, for example.”
That complaint adds a sharper edge to the backlash: the show is using a platform and a labor category that real creators say it does not portray accurately, then leaning into material they say would not clear the platform’s own rules. Jade said, “The vast majority would tell that guy to f off and probably report him.”
Cassie-zilla on May 12
On May 12, Sweeney posted behind-the-scenes footage of the “Cassie-zilla” sequence and called it “probably the coolest thing I’ve done.” She described the scene as a giant, Godzilla-sized woman stomping through a miniature version of Los Angeles, adding, “The details were unbelievable.”
Jade’s complaint is the one that matters most for the storyline’s fallout: real sex workers are not objecting to being included, but to being written as boundaryless and disposable while big production companies cash in. “But these big production companies can profit off the most toxic, exploitative version of it, with none of the risks that real life SWs have to deal with,” Jade said.
