Ralph Fiennes Shines in “Small Hotel” at Theatre Royal Bath Review
Ralph Fiennes’ latest performance in “Small Hotel” at Theatre Royal Bath marks a highlight in his exceptional season. This unique one-act play, written by Rebecca Lenkiewicz, showcases Fiennes in a new light, combining his acting prowess with tap dancing. Running for 90 minutes, the narrative explores themes of family, identity, and the complexities of relationships.
Plot Overview
The story centers around Larry, a talk show host grappling with his past. He enters the stage wearing a blood-stained shirt, a symbol of his internal conflict. Accompanied by a one-eyed bartender and lounge singer, the atmosphere is set with nostalgic 1950s music.
- Characters:
- Larry: A man facing a reckoning, played by Ralph Fiennes.
- Ex-partner: A former love whose success dwarf Larry’s current status.
- Mother: An alcoholic, portrayed with depth by Francesca Annis.
- Richard: Larry’s twin brother, revealed through video calls.
- Rachel Tucker: A spiritual presence, providing an emotional core.
Themes and Execution
“Small Hotel” weaves between realism and metaphysical elements. The narrative unfolds through various interactions, including Larry’s preparation to meet his ex-partner after two decades. Fiennes portrays a complex character, filled with shame and vulnerability, which resonates throughout his performance.
The production’s visual elements, designed by Luke Halls, enhance the ethereal quality of the storyline. Video projections display fragmented memories, merging past and present, and contributing to a haunting atmosphere. Director Holly Race Roughan maintains a delicate balance between the plot’s tension and its introspective moments.
Critical Reception
Although some critics noted that the play could have developed its themes more deeply, the overall presentation remains captivating. Fiennes’ portrayal of Larry allows him to shine, even in moments of vulnerability. The supporting cast, particularly Francesca Annis as the mother, delivers powerful performances that enhance the emotional weight of the narrative.
As “Small Hotel” closes Fiennes’ season at Theatre Royal Bath, it stands as a thought-provoking choice. Its experimental approach may not appeal to all, but it certainly solidifies Fiennes’ status as a versatile actor willing to explore uncharted territories in theatre. The production hints at an evolving era in which actor-managers could once again shape the theatrical landscape.
