Roger Ebert Walks Out on Controversial Oscar-Winning War Film

Renowned film critic Roger Ebert had a unique relationship with cinema, spending his life passionate about the art form. However, a few films managed to provoke strong reactions from him, including the 1991 Italian war comedy-drama “Mediterraneo”.

About “Mediterraneo”

“Mediterraneo” was directed by Gabriele Salvatores and co-written by Enzo Monteleone. Set during World War II, the film tells the story of a group of Italian soldiers dispatched to the Greek island of Megísti as lookouts. After their ship is destroyed in an Allied bombardment, the soldiers find themselves marooned. Initially believing the island to be deserted, they soon discover the hidden local inhabitants.

The plot evolves as the soldiers integrate with the locals, allowing memories of war to recede and romantic relationships to blossom. In 1992, “Mediterraneo” won the Academy Award for Best Foreign Language Film and became one of the highest-grossing foreign language films in the United States, earning $4.55 million at the box office.

Ebert’s Controversial Reaction

Despite its acclaim, Roger Ebert had a particularly vehement dislike for “Mediterraneo”. He once stated it was “utterly without redeeming merit,” a strong indictment for an Oscar-winning film. In a 1996 interview with Entertainment Weekly alongside Gene Siskel, Ebert confirmed that “Mediterraneo” was the only film he had ever walked out on. He expressed his personal disappointment, especially considering its recognition by the Academy.

Ebert’s Broader Critique of Cinema

Legacy of “Mediterraneo”

Despite Ebert’s critique, the film remains a notable piece of cinema, recognized for its storytelling and artistic merit. While opinions on the film vary dramatically, it serves as a reminder of the subjective nature of film criticism.

• Title: Mediterraneo
• Director: Gabriele Salvatores
• Screenplay: Enzo Monteleone
• Award: Academy Award for Best Foreign Language Film (1992)
• US Box Office Revenue: $4.55 million
• Ebert’s Stance: Described it as “utterly without redeeming merit”

In conclusion, while “Mediterraneo” achieved critical acclaim, Roger Ebert’s pointed dismissal illustrates the complexities of film critique, revealing how even celebrated works can divide opinions within the cinematic community.