Lady Gaga Lifts Devil Wears Prada 1 With $2.5 Million Cameo

Lady Gaga Lifts Devil Wears Prada 1 With $2.5 Million Cameo

devil wears prada 1 is being sold less like a sequel and more like a revenue package. Lady Gaga’s brief cameo as herself reportedly brought in $2.5 million, one of the clearest signs that The Devil Wears Prada 2 is using celebrity names and brand tie-ins to drive its $100 million budget back toward profit.

That approach follows the original film’s path. Meryl Streep said she initially turned down Miranda Priestly in 2006, telling producers, “They called me up and they made an offer,” and “and I said, no, not going to do it.”

Meryl Streep and the 2006 ask

Streep said, “I knew it was going to be a hit, and I wanted to see [what would happen] if I doubled my ask.” She added, “They went right away and said: ‘Sure!’” and, “I thought, I’m 56 and it took me this long to understand that I could do that.” The original film went on to make more than nine times its $35 million budget and later built a strong streaming afterlife.

The sequel now appears built around the same commercial instinct, only at a far larger scale. Estimates suggest cast salaries account for around half of the $100 million price tag, which means the production is carrying a heavy fixed cost before a single ticket sale is counted.

Lady Gaga and 30 cameo names

Lady Gaga appears briefly as herself with a bespoke body-positive song, and her reported $2.5 million fee gives a hard number to the sequel’s cameo strategy. About 30 big names from music, fashion, sport and the media also appear briefly, turning the film into a catalogue of recognizable faces rather than a standard supporting cast.

Emily Blunt and Anne Hathaway joked that Stanley Tucci was the last of the four stars to sign on, and Kenneth Branagh’s part as Miranda’s violinist boyfriend is described as modest in size. A random line of dialogue suggests his character is a recovering alcoholic, a small but telling reminder that the movie is still using character beats to move its larger commercial machinery.

Dior, Walmart and the $100 million bet

The brand list is where the sequel’s business case becomes most explicit: Dior, Diet Coke, Old Navy, Tweezerman, Zillow, Tresemmé, L’Oréal, Google, Samsung and Starbucks all appear in the mix. Dior appears in the film as the company now run by Emily Blunt’s character, while Walmart is selling official merchandise in the United States.

Walmart’s lineup includes a Miranda doll priced at $35, a polyester throw blanket at $14.74, a shower wash at $10 and a scoop collection tie-waist midi dress at $49. That retail spread shows the sequel reaching beyond the multiplex and into shelves, where the margins can be easier to control than a box-office run.

If projections hold, the new film is expected to take around double its budget over opening weekend and to pass the original film’s $326 million total within a fortnight. For a sequel built on cameos, licensing and branded product, that is the real test: whether the audience treats the movie as an event, or just as another very expensive ad buy.

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