Mikey Day Hits 200 SNL Episodes With Will Ferrell Finale

Mikey Day Hits 200 SNL Episodes With Will Ferrell Finale

mikey day reached his 200th Saturday Night Live episode during the Will Ferrell-hosted season finale. The count puts him ninth among the show’s longest-serving cast members by episode total. He got there after starting behind the scenes in 2013 and moving onto the air four years later.

October 1, 2016

Day’s first cast appearance came in the Season 42 premiere on October 1, 2016, when he introduced Matt Schatt in the post-monologue sketch “Live Report.” Margot Robbie played Schatt’s wife in that first version, and the character later returned with Jennifer Lopez and Ana de Armas in the same role. That arc gives the 200-episode mark a sharper shape than a simple longevity stat: he did not arrive as a marquee player, but he built a repeatable comic asset and kept it on the air.

200 Episodes in Context

200 episodes is a crowded neighborhood at Saturday Night Live. Kenan Thompson leads the pack with 461, followed by Darrell Hammond at 267, Seth Meyers at 253, Colin Jost at 249, Michael Che at 242, Fred Armisen at 220, Kate McKinnon at 204, and Cecily Strong at 202. Day sits just behind Strong, which places him inside a tier that few cast members reach and keeps him ahead of the majority of the show’s history.

Day’s number also sits alongside a writing resume that has shaped some of the show’s most durable recurring material. He and Streeter Seidell wrote “Haunted Elevator,” better known as David S. Pumpkins, along with “Washington’s Dream” and the viral “Beavis and Butt-Head” sketch with Ryan Gosling. He has also moved well beyond Studio 8H, hosting Netflix’s Is It Cake?, appearing in Unfrosted, Good Burger 2 and Home Sweet Home Alone, and co-writing the last of those films.

Last Summer’s Quote

Last summer, Day told Variety’s Brian Steinberg, “I want to work there for as long as I can,” and “I want to work there until it’s sad.” That is the cleanest read on the milestone: he has been there long enough to become part of the show’s structural memory, not just its current cast.

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