Noah Cyrus Contributes to Reminders of Him Soundtrack — A Singer’s Thread Through a Film’s Music
On the red carpet at the Los Angeles premiere, Noah Cyrus stood with a copy of the new soundtrack and spoke about the ways the story had landed with her. The artist contributed an original song to the film’s released album and described a personal resonance with the film’s themes as the score and songs began to reach audiences.
What is on the Reminders of Him soundtrack?
The original motion picture soundtrack for Reminders of Him was released alongside the film and pairs Tom Howe’s score with original songs and curated recordings. The album includes an original song performed by Noah Cyrus titled “Light Over the Hill, ” and a cover of Coldplay’s “Yellow” performed by Morgan Harper-Jones. The soundtrack also contains score cues credited to Tom Howe, with track titles reflecting moments from the film such as “Reminders of Him, ” “Ledger To Work, ” “New Apartment, ” “Imagine If, ” and “Driving Kenna Home. “
Selections from the wider music featured in or associated with the film appear in shared listings and include songs performed by Lord Huron and others. The soundtrack release was coordinated with the film’s theatrical debut, and the original song by Noah Cyrus was issued with an official music video prior to the soundtrack’s full release.
How did Noah Cyrus connect to Reminders of Him?
Noah Cyrus, identified in the film materials as a musician and as the songwriter of the album track “Light Over the Hill, ” said that she resonated with many themes of the story. Her original song appears on the soundtrack and was released ahead of the album along with its music video. Her involvement is positioned alongside other contemporary artists featured in the film’s musical palette.
How did director and composer use music to shape the film?
Director Vanessa Caswill described music as central to the film’s development, explaining that music gave her imagery and helped define the rhythm and tone of scenes. Caswill said, “When I read a scene, I find the song that fits it. Once I have that, I can see the colors, the movement, the emotion. It’s also a way to collaborate. I asked the cast to share songs that helped them connect to their characters, which often helped them settle into the role. Music communicates things words can’t, and it helps me understand how to shape a moment. “
Composer Tom Howe provided the film’s original score, and the released soundtrack pairs his compositions with the featured songs. Howe is described in the soundtrack materials as an Emmy-nominated composer whose credits include work on projects such as Ted Lasso and Shrinking, as well as a range of orchestral and contemporary collaborations. The soundtrack release reflects the collaborative process Caswill described: early song choices informed the film’s emotional textures, and Howe’s score was composed to follow the film’s arc while leaving space for performance and dialogue.
Back Lot Music released the soundtrack album that assembles the composer’s score alongside original material by Noah Cyrus and a song by Morgan Harper-Jones. The album’s sequencing traces the film’s narrative beats through a mix of source songs and score cues.
As the film moves into wider release, the soundtrack stands as a document of the creative choices made during production — a thread that runs from the director’s use of preexisting songs to the commissioning of an original song by Noah Cyrus and the commissioning of a score by Tom Howe. The music is presented as part of the film’s attempt to explore forgiveness and rebuilding, guided by both song and orchestration.
Back on the red carpet, that same soundtrack in hand, Noah Cyrus’ contribution feels less like a promotional credit and more like a piece of the film’s emotional architecture — a single voice woven into a larger musical plan that the director and composer designed to shape how audiences see and feel the story.
