Adam Driver: Netflix Builds a $6.28 Fake Truck Stop in Middletown — Filming Set Through June
Don’t be misled by the price board: a newly erected truck-stop facade on Route 35 in Middletown displays $6. 28 per gallon unleaded and $7. 20 diesel, but it is not open to drivers. The mock station is a set for a Netflix crime series starring adam driver titled “Rabbit, Rabbit, ” built on the former Circus Liquors/Calico the Evil Clown property and intended for prolonged on-site filming.
Why this matters right now
The Middletown installation matters because it transforms a familiar local lot into a controlled production environment with public-facing imagery. The presence of a high-priced pump display has already drawn local attention even though the site is nonoperational and closed to the public. The project names Netflix as the platform and identifies MRC and Truck Stop Productions as the production companies; filming is scheduled across a defined window that raises immediate questions about traffic, access and the local economic footprint.
Adam Driver and the Middletown truck stop set
The set was built rapidly and was designed to read as a fully functional gas station on Route 35. Public-facing signage lists $6. 28 per gallon for unleaded and $7. 20 for diesel. The structure occupies the former Circus Liquors/Calico the Evil Clown parcel and will serve as a central location in the series. Published material tied to the production identifies the project as a Netflix crime series titled “Rabbit, Rabbit, ” with creative emphasis on a truck-driver character. Those materials indicate adam driver portrays a truck driver who kidnaps people and uses the fabricated gas station as his base.
Scheduling notices connected to the shoot describe a filming window extending through late June. One set of project dates runs from March 16–June 26 (ET); another notice indicates filming was expected to begin the week of March 22 (ET). The site is closed to public access while crews are on site.
Expert perspectives and regional impact
Material accompanying the production identifies Netflix as the distribution platform and lists MRC and Truck Stop Productions as the companies behind the shoot. No individual experts or named local officials appear in the available project materials; the production credits and scheduling notices are the principal sources of factual detail. The local footprint of the build is clear: a nonoperational, publicly visible set with realistic signage and pricing that has prompted community curiosity and near-term logistical considerations.
Regionally, the set is likely to produce short-term economic effects typical of location shoots: crew lodging, on-site support services and controlled temporary closures of public spaces. The visible advertising of unusually high fuel prices on a closed lot complicates perception—residents encountering the display may mistake it for an active station, creating confusion and prompting questions about how transient production design choices interact with local commerce and public expectations.
Filming logistics are explicit in the project notices: the property will host sustained production activity through the established schedule, and the lot will be returned to its prior state when shooting concludes. Production companies are identified as MRC and Truck Stop Productions, and Netflix is described as the platform for the series.
The available materials do not include named local officials’ statements, detailed traffic plans or community mitigation measures, leaving several operational details unaddressed in the public record tied to the production notices.
What the Middletown build makes visible is a broader intersection between cinematic world-building and everyday civic space: a fabricated truck stop advertising $6. 28 per gallon becomes a conversation starter about perception, property use and the short-term rhythms of a location shoot. For residents and local planners, that conversation is now immediate and concrete.
As the set continues to be used into late June, the remaining questions center on how production activity will be managed on Route 35, how the site will be restored afterward and how the on-screen depiction will influence local impressions. Most press materials identify the series title as “Rabbit, Rabbit” and confirm adam driver as the lead, but public detail on the shoot’s day-to-day management is limited in the available records. What will viewers draw from a narrative that anchors itself to a replica gas station built for the camera, and how will Middletown reckon with the temporary transformation of a familiar lot into a set for a series starring adam driver?
